My Opening Farewell
Written by
Jackson Browne
(c) 1971 WB Music Corp.
A lady stands before an open
window
Staring so far
away
She can almost
feel the southern wind blow
Almost touching
her restless day
She turns from
her window to me
Sad smile her
apology
Sad eyes
reaching to the door
Daylight loses
to another evening
And still she
spares me the word goodbye
And sits alone
beside me fighting her feelings
Struggles to
speak but in the end can only cry
Suddenly its so
hard to find
The sound of
the words to speak her troubled mind
So I'm offering
these to her as if to be kind:
There's a train
everyday leaving either way
There's a
world, you know
There's a way
to go
And you'll soon
be gone -- that's just as well
This is my
opening farewell
A child's
drawings left there on the table
And a woman's
silk lying on the floor
And I would
keep them here if I were able
Lock her safe
behind this open door
But suddenly
it's so clear to me
That I'd asked
her to see what she may never see
And now my kind
words find their way back to me
There's a train
everyday leaving either way
There's a
world, you know
You got a way's
to go
And I'll soon
believe -- it's just as well
This is my
opening farewell
|
The
Invitation
( ... The world
will break your heart and heal it,
over and over,
if you let it,
and letting it
do both is the only way to live fully... )
-- Oriah
Mountain Dreamer
It
doesn't interest me what you do for a living; I
want to know what you ache for, and if you dare
to dream of meeting your heart's longing.
It
doesn't interest me how old you are. I want to
know if you will risk looking like a fool for
love, for your dream, for the adventure of being
alive.
It
doesn't interest me what planets are squaring
your moon, I want to know if you have touched
the center of you own sorrow, if you have been
opened by life's betrayals or have become
shriveled and closed from fear of further pain.
I want to know if you can sit with pain, mine or
your own, without moving to hide it or fade it
or fix it.
I want
to know if you can be with joy, mine or your
own, if you can dance with wildness and let the
ecstasy fill you to the tips of your fingers and
toes without cautioning us to be careful, to be
realistic, to remember the limitations of being
human.
It
doesn't interest me if the story you're telling
is true. I want to know if you can disappoint
another to be true to yourself; if you can bear
the accusation of betrayal and not betray your
own soul; if you can be faithless and therefore
trustworthy.
I want
to know if you can see beauty, even when it's
not pretty, every day, and if you can source
your own life from it's presence.
I want
to know if you can live with failure, yours and
mine, and still stand on the edge of the lake
and shout to the silver of the full moon, "Yes"!
It
doesn't matter to me where you live or how much
money you have. I want to know if you can get
up, after the night of grief and despair, weary
and bruised to the bone, and do what needs to be
done to feed the children.
It
doesn't interest me who you know or how you came
to be here. I want to know if you will stand in
the center of the fire with me and not shrink
back.
It
doesn't interest me where or what or with whom
you have studied. I want to know what sustains
you, from the inside, when all else falls away.
I want
to know if you can be alone with yourself and if
you truly like the company you keep in the empty
moments.
|
|
When men
are rightfully occupied,
then their
amusement grows
out of their
work as the color petals
out of a
fruitful garden.
--
John Ruskin
|
|
What do
we need most in order to be happy?
Certainly
we all need to be loved. Yet we need even more
than that.
The
spirit also wishes to be needed.
When we
are needed, no matter what age we are, we serve
a purpose for others.
When
we are needed, we will be loved, as well as
respected, imitated, and rewarded with
gratitude.
Our
needs are not great empty pits to be filled any
way we can. They are the couplings by which we
connect to those we love.
Our
needs also tell us what others want, and how to
enrich their lives -- which also enriches ours.
How do
we become needed? We have only to look at our
own needs and give what we need to others --
love, respect, kindness, generosity.
When we
realize we are needed, we realize we also need
others.
|
_______________
Third story -
John Ruskin - Copyright © 2024 Hazelden
Betty Ford Foundation. All rights reserved. from
the book Today's Gift
Cosmos image
Copyright © Pixabay
Most dividers
Copyright © Teresa Spradling
from A Touch of Country (dead link 10/06/04)
Fairy divider Copyright
© Ivy's Graphics (dead link 08/01/2011)
Rhapsody In
Gold image Copyright © Nene
Thomas
Metamorphosis image
Copyright © Noah
Fine Art
Harmony image
Copyright © Carrie
Hall
Mermaid
image Copyright © Barclay
Shaw
_________________
My Opening Farewell
Music by: Bonnie Raitt
Written by: Jackson Browne
Copyright © Universal Music Publishing Group
_________
A lady stands before an open
window
Looking so far away
She can almost feel the southern winds blow
Gently touching his restless day
He turns from his window to me
Sad smile his apology
Sad eyes reaching to the door
Daylight loses to another evening
Still he spares me words goodbye
Sits alone beside me fighting his feelings
Struggles to speak but in the end can only cry
Suddenly it's so hard to find
The sound of the words to speak his troubled mind
So I'm offering ease to him as if to be kind
There's a train every day
Leading either way
There's a world you know
There's a way to go
I soon believe it's just as well
This is my opening farewell
A child's drawings left there on the table
And a woman's silk is lying on the floor
I would keep them here if I were able
To lock you safe behind it's open door
Suddenly it's so clear to me
That I'd ask you to see what you may never see
Now my kind words find their way back to me
There's a train every day
Leading either way
There's world you know
Got a way to go
I soon believe it's just as well
This is my opening farewell
This is my opening farewell.
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